James Wan’s Aquaman and the Lost Kingdom finally makes a splash as the potential final chapter of the DCEU, featuring Jason Momoa as Arthur Curry. The film, promising an intriguing brotherly alliance against the menacing Black Manta, sets high expectations. Yet, it struggles with a disjointed first act and subpar visual effects, overshadowing its promising narrative setup.
A Slog of a Start, but a Redeeming Middle
The film’s initial segment mirrors a lackluster TV pilot, failing to engage immediately. This slow start contrasts sharply with the later dynamic between Arthur and his brother Orm, portrayed by Patrick Wilson. Their reluctant but amusing interactions, reminiscent of Thor: Ragnarok, provide much-needed levity. However, Amber Heard’s Mera and Nicole Kidman’s Atlanna face narrative challenges, with Atlanna’s storyline causing particular confusion and indicating potential last-minute script changes.
Visual Inconsistencies and a Farewell to the DCEU
While the deep-sea visuals and portrayal of Atlantis captivate, the antagonist designs disappoint, particularly in high-definition IMAX 3D viewings. The film’s approach to concluding the DCEU saga is noteworthy, with Arthur Curry’s dismissive attitude towards franchise implications adding an element of humor. Despite its visual and narrative shortcomings, the film’s core strengths lie in the familial and comedic aspects, particularly the chemistry between Momoa and Wilson.
Aquaman and the Lost Kingdom delivers a mixed experience. Its compelling moments, primarily driven by the rapport between its lead characters, are hindered by early narrative struggles and inconsistent visuals. As the DCEU undergoes a transformation with James Gunn’s new vision, this film stands as a bittersweet farewell to a beloved chapter in DC’s cinematic history.